So here it is: my promised post about my thesis show and today’s critique! Which shall I start with?… how ’bout an IMAGE?! Here’s one: (there are more throughout)
I’ll start with today’s critique. I’ll come right out and say that It did NOT go how I would have liked. The professor was not “too” critical or anything like that, and I did get some helpful, constructive feedback. No one was mean or “overly” nice…
so WHY was it not my best critique?
Well, in retrospect, I realize that many factors built into today’s mood: I was already frustrated because the critiques of my classmates dragged on for FOUR class days already, and we were in the last 30 minutes or so of the fourth class day (that’s 12 hours, spread throughout 3 weeks, at least), and I didn’t think we would even get to my work today. My irritation and frustration have been growing since the beginning of the semester; I wasn’t happy with painting, my professor was projecting himself on my painting style, and there are/were other frustrations… (I’m just not including those photos)
THAT being said, when today’s critique was full of the professor “finishing” the painting in his style, verbally, and seeming to push me in a direction I am NOT taking the painting, it was the last straw. I realized a week or so ago that I MISS my old studio practice. I MISS pastel sketches, painting in high contrast, using jewel-tones, and trusting myself. It took listening to my peers and talking with them to realize that I was rather lost, for a while. I tell my drawing students, all the time, that they should trust themselves and go with their gut… but I wasn’t listening to myself. Now, I realize that I have to take what is said by the professor, and apply it to what I want to do, how I want to do it.
The moment I had that “revelation,” I felt like Elsa, from Frozen….”let it go!” So here’s a picture from buzzfeed, ’cause who DOESN’T love Elsa?!
Over the past several weeks, I have realized that my thesis exhibition is MINE. Yes, my professor is there for guidance and can certainly teach me new things, but ultimately, I cannot let him force me to compromise my vision. And a vision is exactly what I am depicting. I’m re-presenting (’cause it’s already been presented once, by John) John’s visions from Patmos in Revelation…. My professor–and others–may not “get it,” but for a while, I was painting for my professor, and I lost my way. I realize that I live, breathe, and paint for an audience of one: God. When I let go of what my professor was pushing me toward, I was able to regain some of my old truthfulness. I know how to paint. I may not be the best artist, but that’s okay… I just need to be true to myself, paint for God, and allow Him to work through me.
YES, that feels good. YES, it is a huge sigh of relief… BUT my professor’s “stray-causing”…? (I’ll call it that) is not without benefits. Through my frustration with painting, I realized that trying to paint ALL of Revelations is ridiculous. There’s so much I can never understand or fathom. God even says very clearly that “no mind can comprehend…” (1 Corinthians 2:9) The more I think about it, also, the more I realize that part of my vision of Revelations is NOT painting at all… it’s sculpture. When I read about the seven bowls from Revelations, I do not see them as paintings, but as actual bowls!
Am I a sculptor? NOOOOOO… haha… BUT, I did take Sculpture last semester, and honestly, I enjoyed it a LOT more than I expected to… or than I let on. AND, I realized that, for me, a huge part of being at RIT is learning to be an ARTIST, not “just a painter,” and what better way to express my growth as an artist than to present an interdisciplinary show? What better way to represent Revelations than how my initial vision portrays it? That’s what Revelations is, after all: Visions.
So, that being said… I’m thinking three paintings, and seven bowls. Both numbers are Biblically symbolic and significant… Three for the Holy Trinity, the anti-trinity (which is depicted in one of my paintings, along with the 4 horsemen of the Apocalypse, and the 4 living creatures around the throne of Heaven). Seven is one of the most common numbers in Revelations, and is a symbol of wholeness and completion. Here is some research based on the numbers 3 and 7, in Revelations, specifically:
“Next to seven, 3 is the most commonly found or referenced number in Revelation. An angel is charged to cry three woe’s to those who live on earth to warn them of more trials to come (Revelation 8:13). The murdered bodies of the Two Witnesses will not be allowed to be buried but rather will lie openly in Jerusalem for three days before they are resurrected. Three unclean spirits will be allowed to deceive the whole world to FIGHT the returning Jesus Christ in what is called the battle of Armageddon (Revelation 16:13 – 16). The new Jerusalem, created by God for placement on a new earth, will be shaped like a square with three gates on each side (Revelation 21:13).” —http://www.biblestudy.org/bibleref/meaning-of-numbers-in-bible/3.html
There’s way too much about the number seven for one “nugget,” so, click here.
Here’s one last image for you… I’m toying around with the idea of Hope, and how to insert that… so this is a cute dove I’m considering… I’ve done several different sketches in different poses, but this guy is the only one I snapped, so far:
So, I don’t know exactly what my thesis will be, in the end… but I know who I want to rely on for guidance, and I have a rough plan… for me, that is enough.
As always, peace love and art! RENEWED! -Danielle