The way the Fine Art Studio MFA program works at RIT, we are required to take two of four “major” studio courses each semester: Painting, Sculpture, New Forms, and/or Printmaking. I’m pretty sure most of you know what Painting and Sculpture are… and most likely, you know what Printmaking is (in general). But, New Forms–now, that’s an oddball! Or at least, it was for me, when I took it last year. In New Forms, the whole idea is to experiment and push the boundaries of that ever-elusive question: “What is art?” New Forms can involve media projects, social experiments, sculpture, video, environmental art and/or any combination thereof. For me, this was really hard. I usually paint and draw… so trying to think about NEW ways to express the same ideas I usually paint or draw was NOT my cup of tea. However, I did learn a lot about thinking outside the box, and I’m glad I took the class.
Sculpture was interesting and different for me, too… but that’ll be a post for a different day! Printmaking was also new… and still is, really. My first semester, I took Painting and New Forms, second semester, I took Painting and Printmaking and Sculpture. This semester, I’m doing Printmaking and Painting, and it’s going pretty well… so far… It’s only been 5 weeks–IT’S ALREADY BEEN FIVE WEEKS?! OH MY!
So, today, I decided to share a few of my most recent prints that I’m working on for a Book Arts project for my Non-Toxic Printmaking class. We did the same project last year, but it’s a repeated project; a culmination of our experience in the Printmaking studio. Last year, I did two books, based on dry-point flowers and cutouts. Dry-Point is where you scratch a design or drawing into the plastic plate, ink it up, wipe it down, and run it through the press with the paper. I usually use dry paper, as well, to get the details of the lines, but NOT the extra ink around the lines… I think it works pretty well:
Here are some of my other prints from last semester!
Now… here are the ones I’m currently working on. I’m doing a process called Collographing. This means that I’m building up texture on the surface of a plate, then using shellac to seal my textures (if I need it… when the texture is made of a gel medium, I don’t usually use shellac). Once the shellac and/or gel medium is dry, I use several colors of inks to fill the plate, then wipe off the excess (this is usually a LOT, unfortunately). Then, I run the plate through the press with dampened paper, at a low pressure. I’m having a lot of fun playing with the textures, which I think builds off my experience as a deaf person, whose sense of touch is heightened… but that’s just my thought! The “lighter” images are Ghost prints… which simply means that I reprinted each plate without re-inking it.. In some cases, I actually prefer the Ghost! (And nooooo… it has nothing to do with Patrick Swazye… 😉 )
I’m also continuing to explore dry-point, which is SO fun and meditatively relaxing for me… That’ll be a post for another day, too! Enjoy these! 🙂 Peace, love and art… -Danielle