Another revelation, while painting Revelations! … and LET IT GO!

Hello lovelies,

So here it is: my promised post about my thesis show and today’s critique!  Which shall I start with?… how ’bout an IMAGE?!  Here’s one: (there are more throughout)

living creatures

I’ll start with today’s critique.  I’ll come right out and say that It did NOT go how I would have liked. The professor was not “too” critical or anything like that, and I did get some helpful, constructive feedback.  No one was mean or “overly” nice…

so WHY was it not my best critique?

Well, in retrospect, I realize that many factors built into today’s mood: I was already frustrated because the critiques of my classmates dragged on for FOUR class days already, and we were in the last 30 minutes or so of the fourth class day (that’s 12 hours, spread throughout 3 weeks, at least), and I didn’t think we would even get to my work today.  My irritation and frustration have been growing since the beginning of the semester; I wasn’t happy with painting, my professor was projecting himself on my painting style, and there are/were other frustrations… (I’m just not including those photos)

big eagle lion sketch

THAT being said, when today’s critique was full of the professor “finishing” the painting in his style, verbally, and seeming to push me in a direction I am NOT taking the painting, it was the last straw.  I realized a week or so ago that I MISS my old studio practice.  I MISS pastel sketches, painting in high contrast, using jewel-tones, and trusting myself.  It took listening to my peers and talking with them to realize that I was rather lost, for a while.  I tell my drawing students, all the time, that they should trust themselves and go with their gut… but I wasn’t listening to myself.  Now, I realize that I have to take what is said by the professor, and apply it to what I want to do, how I want to do it.

The moment I had that “revelation,” I felt like Elsa, from Frozen….”let it go!”  So here’s a picture from buzzfeed, ’cause who DOESN’T love Elsa?!

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Over the past several weeks, I have realized that my thesis exhibition is MINE.  Yes, my professor is there for guidance and can certainly teach me new things, but ultimately, I cannot let him force me to compromise my vision.  And a vision is exactly what I am depicting.  I’m re-presenting (’cause it’s already been presented once, by John) John’s visions from Patmos in Revelation…. My professor–and others–may not “get it,” but for a while, I was painting for my professor, and I lost my way.  I realize that I live, breathe, and paint for an audience of one: God.  When I let go of what my professor was pushing me toward, I was able to regain some of my old truthfulness.  I know how to paint.  I may not be the best artist, but that’s okay… I just need to be true to myself, paint for God, and allow Him to work through me.

YES, that feels good.  YES, it is a huge sigh of relief… BUT my professor’s “stray-causing”…? (I’ll call it that) is not without benefits.  Through my frustration with painting, I realized that trying to paint ALL of Revelations is ridiculous.  There’s so much I can never understand or fathom. God even says very clearly that “no mind can comprehend…” (1 Corinthians 2:9) The more I think about it, also, the more I realize that part of my vision of Revelations is NOT painting at all… it’s sculpture.  When I read about the seven bowls from Revelations, I do not see them as paintings, but as actual bowls!

Am I a sculptor?  NOOOOOO… haha… BUT, I did take Sculpture last semester, and honestly, I enjoyed it a LOT more than I expected to… or than I let on.  AND, I realized that, for me, a huge part of being at RIT is learning to be an ARTIST, not “just a painter,” and what better way to express my growth as an artist than to present an interdisciplinary show?  What better way to represent Revelations than how my initial vision portrays it?  That’s what Revelations is, after all: Visions.

So, that being said… I’m thinking three paintings, and seven bowls.  Both numbers are Biblically symbolic and significant… Three for the Holy Trinity, the anti-trinity (which is depicted in one of my paintings, along with the 4 horsemen of the Apocalypse, and the 4 living creatures around the throne of Heaven).  Seven is one of the most common numbers in Revelations, and is a symbol of wholeness and completion.  Here is some research based on the numbers 3 and 7, in Revelations, specifically:

“Next to seven, 3 is the most commonly found or referenced number in Revelation. An angel is charged to cry three woe’s to those who live on earth to warn them of more trials to come (Revelation 8:13). The murdered bodies of the Two Witnesses will not be allowed to be buried but rather will lie openly in Jerusalem for three days before they are resurrected. Three unclean spirits will be allowed to deceive the whole world to FIGHT the returning Jesus Christ in what is called the battle of Armageddon (Revelation 16:13 – 16). The new Jerusalem, created by God for placement on a new earth, will be shaped like a square with three gates on each side (Revelation 21:13).”     —http://www.biblestudy.org/bibleref/meaning-of-numbers-in-bible/3.html

There’s way too much about the number seven for one “nugget,” so, click here.

Here’s one last image for you… I’m toying around with the idea of Hope, and how to insert that… so this is a cute dove I’m considering… I’ve done several different sketches in different poses, but this guy is the only one I snapped, so far:

dove

So, I don’t know exactly what my thesis will be, in the end… but I know who I want to rely on for guidance, and I have a rough plan… for me, that is enough.

As always, peace love and art!  RENEWED! -Danielle

Printmaking…. texture studies!

Hello lovelies!

The way the Fine Art Studio MFA program works at RIT, we are required to take two of four “major” studio courses each semester: Painting, Sculpture, New Forms, and/or Printmaking.  I’m pretty sure most of you know what Painting and Sculpture are… and most likely, you know what Printmaking is (in general).  But, New Forms–now, that’s an oddball!  Or at least, it was for me, when I took it last year.  In New Forms, the whole idea is to experiment and push the boundaries of that ever-elusive question: “What is art?”  New Forms can involve media projects, social experiments, sculpture, video, environmental art and/or any combination thereof.  For me, this was really hard.  I usually paint and draw… so trying to think about NEW ways to express the same ideas I usually paint or draw was NOT my cup of tea.  However, I did learn a lot about thinking outside the box, and I’m glad I took the class.

Sculpture was interesting and different for me, too… but that’ll be a post for a different day!  Printmaking was also new… and still is, really.  My first semester, I took Painting and New Forms, second semester, I took Painting and Printmaking and Sculpture.  This semester, I’m doing Printmaking and Painting, and it’s going pretty well… so far… It’s only been 5 weeks–IT’S ALREADY BEEN FIVE WEEKS?! OH MY!

So, today, I decided to share a few of my most recent prints that I’m working on for a Book Arts project for my Non-Toxic Printmaking class.  We did the same project last year, but it’s a repeated project; a culmination of our experience in the Printmaking studio.  Last year, I did two books, based on dry-point flowers and cutouts.  Dry-Point is where you scratch a design or drawing into the plastic plate, ink it up, wipe it down, and run it through the press with the paper.  I usually use dry paper, as well, to get the details of the lines, but NOT the extra ink around the lines… I think it works pretty well:

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Here are some of my other prints from last semester!

Now… here are the ones I’m currently working on.  I’m doing a process called Collographing.  This means that I’m building up texture on the surface of a plate, then using shellac to seal my textures (if I need it… when the texture is made of a gel medium, I don’t usually use shellac).  Once the shellac and/or gel medium is dry, I use several colors of inks to fill the plate, then wipe off the excess (this is usually a LOT, unfortunately).  Then, I run the plate through the press with dampened paper, at a low pressure.  I’m having a lot of fun playing with the textures, which I think builds off my experience as a deaf person, whose sense of touch is heightened… but that’s just my thought!  The “lighter” images are Ghost prints… which simply means that I reprinted each plate without re-inking it.. In some cases, I actually prefer the Ghost! (And nooooo… it has nothing to do with Patrick Swazye… 😉 )

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I’m also continuing to explore dry-point, which is SO fun and meditatively relaxing for me… That’ll be a post for another day, too!  Enjoy these! 🙂  Peace, love and art… -Danielle